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"Christmas is marketed as a happy, joyful time, but Mr Nicolau says for many people the holidays can be stressful.
"Very often, it's people coming together who spend most of the year not coming together, not wanting to interact for whatever reasons, and they feel obliged to do it [at Christmas]," he says.
"Often all those unresolved issues that may have occurred throughout the year sort of coalesce around this time.""
"Very often, it's people coming together who spend most of the year not coming together, not wanting to interact for whatever reasons, and they feel obliged to do it [at Christmas]," he says.
"Often all those unresolved issues that may have occurred throughout the year sort of coalesce around this time.""
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"He says in order for Christmas movies to leave their mark, there needs to be some sort of underlying narrative which sits on the periphery of the Christmas aesthetic.
"I think this goes back to the discourse of Die Hard and Home Alone or The Nightmare Before Christmas," he says.
"They take the kind of concept of a traditional Christmas film, and slightly twist it.
"So you have the Christmas aesthetic, and you have the Christmas atmosphere, but you've also got a narrative within that film, which doesn't actually rely on the holiday to work.""
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"I think this goes back to the discourse of Die Hard and Home Alone or The Nightmare Before Christmas," he says.
"They take the kind of concept of a traditional Christmas film, and slightly twist it.
"So you have the Christmas aesthetic, and you have the Christmas atmosphere, but you've also got a narrative within that film, which doesn't actually rely on the holiday to work.""
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